So on Saturday we saw Rachael Yamagata at Center Stage, and it was awesome, and I am going to tell you all about it.
Several weeks ago I was perusing the “nearby” posts on Google+ and noticed some dude talking about going to see Iron & Wine at the Buckhead Theater, and dang, had we known in advance about that, we would have been all over it. But we didn’t, lesson learned, so I started checked out the calendars of local music venues to see who else is coming to town, so we could avoid missing things in the future. And lo and behold, Rachael Yamagata was going to be playing in Atlanta on December 10th. It didn’t take much consultation with the spouse to decide to buy those tickets.
Backstory
Rachael Yamagata is one of my all-time favorite recording artists; I started listening to her music (sometimes obsessively; at one point I played Happenstance on a loop every time I drove my car) after seeing her perform on The O.C. (shut up it was a good show) and falling helplessly in love with her voice and lyrics. Because that’s the thing; Rachael Yamagata has the coolest voice ever (how does she sing like that?!) but also writes really interesting and, for want of a better word (I know there is one but I’m not coming up with it just now), deep lyrics and layered, interesting music. And no autotune, obviously.
A couple years later my husband started listening to her music, and totally loved it too (I have no idea why it took so long, and I know he must have heard a track or two at some point while being a passenger in my car. Must not have been paying attention. He actually recorded some videosongs (a la Pomplamoose) of her songs. So right. Two huge fans here.
Standing in Line and the Opening Act

A shot of the stage. We were really really close.
We were super nervous about getting good, er, standing places (Vinyl, the particular venue at Center Stage she was playing is standing-room only). So we got there two hours early. We didn’t mean to necessarily, but having been scarred from years of Southern California traffic, we left nothing to chance. But since Atlanta traffic can’t hold a candle to SoCal traffic, particularly at night on the weekends between our house and downtown, we were even earlier than we thought we’d be. And it was cold. Cold cold cold. Probably in the forties? Maybe a bit below? So we huddled in the doorway like bums for that entire time. But we were first in line! Although a couple of girls who knew somebody who knew somebody (apparently) were let in before us. Whatever. They let us in eventually and I got a shot of Jack to restore circulation to my fingers and toes, and it was all good. We chose a spot directly in front of the stage.
The opening act was Mike Viola, who I regret to confess I’d never heard of. But I have now, and I quite like his music! And his pink socks! I mean, I can’t imagine Rachael would take anyone on tour with her who sucked, of course, but still, total bonus. Actually let me go buy that album right now (and why don’t you go buy it too, or at least have a listen, on Amazon or iTunes). He makes really interesting poppy rocky music (and more of those interesting lyrics). But I think his wife is right about the songs he’s written for/about her; it’s not his best material (listen to your wife, Mike!).
The Show
So Mike and co. tore down a few things and put up a few others and moved some stuff around: they shared quite a bit of equipment (which led to Mike gushing adorably about Rachael’s new keyboard). And we waited. And they finished. And we waited a bit more. And then Rachael came out and told us she was sick, but she’d do her best! During the period after sound check, during which she sounded fab as usual (to the extent we could hear her through the door), suddenly she found that she was losing her voice. She confessed to spending that entire time drinking tea and hoping for the best, but she wasn’t at 100%. Nonetheless she opened strong, playing “Even If I Don’t” and sounding really great. But I think it took a lot out of her, because after a few songs she decided to radically modify the set list to try to give us the best she could manage with her voice misbehaving. I wish I had thought to write down the set list so I could tell you what she sang and in what order, but I didn’t. Also it would have been rude to be fussing with my phone.
You know one thing you can’t really appreciate until you see her in person? Rachael Yamagata is really pretty, in a way that, seemingly, it’s difficult for photos to capture. I don’t think you can tell in photos (at least none that I’ve seen) the precise extent to which her face is beautiful. And she looks that good when she must have felt pretty crappy — not fair!
To preserve her voice as much as possible, Rachael avoided speaking as much as she could, calling on her bandmates to explain her songs to us. This led to some funny moments (one song evidently about looking sexy in front of one’s cats? probably not), but then, who can unpack a Rachael Yamagata song on the spot? I couldn’t, even after listening to one a million times. She also tried to do some softer songs, after struggling through a funky version of “Letter Read” (but it was still great, and that’s one of my favorite songs). Memorably, she performed a solo version of “Duet” (tsk, Mike, why couldn’t you do the male part on that one?); that was one of my favorites from Elephants.
At one point she thought perhaps some booze would help, and called for a shot of Jack; Jagermeister, though more mediciney, evidently brought back too many drunken barfy college memories. She pounded back the shot like a pro (I had spent probably ten minutes consuming the same quantity of the same substance earlier in the evening) and mouthed “holy shit” (one advantage of being at the front is that we were able to see that part). Someone handed her the rest of the bottle, too, but she resisted any urge she might have felt to drink straight out of it. I’m not sure how much it actually helped, but it was certainly an amusing interlude.

Alex Wylie and Rachael Yamagata after their impromptu duet. Photo shamelessly stolen from Alex's Twitter feed.
Toward the end of the night she felt like she really couldn’t do it anymore, and invited some audience participation. So we, the three hundred or so fans in the room and she, did “Be Be Your Love” together, and it was amazing. I apologize to anyone who was able to hear me distinctly; I hope no one was, and that I was absorbed entirely in the collective sound, because I am quite possibly the world’s worst vocalist. We also (really we, how cute is that?) did “Wore Me Down” together, another favorite from Happenstance. So in some sense we all performed with Rachael Yamagata that night in Atlanta.
But none of us did so in as real a sense as Alex Wylie, a gorgeous blonde, who was a good enough singer and knew enough of the words to actually get up on stage and do a duet with Rachael on “Reason Why.” You could tell she was super nervous, using her iPhone to ensure that she didn’t mess up the words, but she sounded pretty great! A bit of country flavor, I think, which went surprisingly well. So good for you, Alex! I am filled with envy!
Being the fabulous person she is, Rachael still felt bad about her voice trouble, and decided she would give us all signed copies of her latest CD (and for some folks, signed vinyl copies). How amazing is that? I was happy that she performed for us at all, given that she was sick, and given everything still did a fantastic job. It would have been a wonderful and memorable show anyway, and it isn’t even as if the tickets were so expensive as to have given us a sense of entitlement; I would have gladly paid twice the price and not complained about that show. Lots of artists say they appreciate their fans, and they probably do, but I feel like Rachael went above and beyond what anyone could ever expect putting on that show for us and signing records. We didn’t stick around to fight our way through the mob to get one, because I really didn’t feel like she owed us anything else that night, but what a sweet thing to do.
In fact the only thing I didn’t like about the whole experience was the tiny loud Asian girl who pushed her way next to where I was standing, and continued to holler things at the stage throughout the night. T.L.A.G. had evidently followed Rachael form Birmingham the previous night, and for all I know other venues on other nights; Rachael remembered her (who could not? For such a tiny thing, chick was loud). Blah. But even T.L.A.G. couldn’t ruin anything for me; first of all I’m literally a head taller than she is, so even if she had tried to push her way in front of me (which she did not, fortunately), I could have easily seen over the top of her. I was just a bit embarrassed in case anyone thought I knew her, you know?
So on the whole, it was totally awesome, and if any of you ever get the chance to see Rachael Yamagata live, do it. And if you don’t already own all her albums, jeez, go buy them!